SEETEC ATEM173S-CO 17.3" SDI Monitor with Flight Case
3" 17.3G-SDI/HDMI BROADCAST MASTER MONITOR
Complete solution for on-set multi-camera, monitoring and post-production
SEETEC ATEM173S-CO is a full HD broadcast monitor, equipped with 4x3G-SDI inputs and outputs, 1 x HDMI input interface and RS485, GPI control interface.
It adopts Rec.709 color standard, displays vivid images and professional effects.
Sturdy and durable aluminum housing; With 3D-LUT, waveform, vectorscope, histogram, peak focus and other wonderful functions, all functions can be easily operated and controlled via the front panel buttons. The portable aviation aluminum box can easily handle shooting in difficult locations.
It's an ideal monitor for film and television, broadcast, and post-production crews!
17.3-INCH FULL HD LCD
The ATEM173S-CO adopts a 17.3-inch LCD panel, with high resolution 1920x1080, accurate color reproduction, provides a natural and clear image; 300cd/㎡ brightness, 700:1 contrast ratio, 178° wide viewing angle, allows you to see clearly regardless of the monitoring angle.
AVIATION PORTABLE ALUMINUM CASE - IDEAL CHOICE FOR FILMING
Time and costs are important to film crews. This becomes more obvious if there are frequent scene changes during production on set.
ATEM173S-CO provides an aviation aluminum housing, has the characteristics of dust resistance, waterproof, high temperature and corrosion resistance and so on.
It is suitable for transport and application in various environments, in addition to providing safer protection for the monitor.
QUICKLY DISASSEMBLE AND ASSEMBLE WITH NO TOOLS REQUIRED
The innovative design of the combined structure can quickly complete the disassembly and installation of the monitor, and easily make the use of the monitor for indoor and outdoor environments.
COMFORTABLE GRIP
The handle with moderate size and comfortable to hold, effectively relieves the feeling of weight bearing caused by the movement of the device, easy to carry.
BUTTERFLY-SHAPED PADLOCK
Both the box links and the front and back covers adopt beautiful butterfly-shaped latches, durable and good-looking.
ACCURATE COLOR REPRODUCTION - USE THE REC.709 COLOR STANDARD
Accurate color reproduction is one of the important indicators for measuring professional monitors. ATEM173S-CO 3D-LUT built-in, adopts the Rec.709 HD professional color standard and uses color calibration technology, with the professional calibration of the instrument in the factory to ensure the consistency of each monitor's color reproduction.
FLEXIBLE AND INTUITIVE BUTTON OPERATION
When you are busy in the shooting scene, you need to easily control the equipment, and the ATEM173S-CO can meet your needs.
It can switch between one-button fonts, custom shortcuts, and quickly adjust brightness, contrast, volume, etc.
The backlight button design makes it easy to distinguish the current input signal and the hotkeys used, easy to use even in low-light studios or outdoor environments.
4X3G-SDI INPUTS AND OUTPUTS - PERFECT SDI MONITORING
ATEM173S-CO monitors are the perfect choices for adding SDI monitoring wherever you need it.
It comes with 4x3G-SDI signal inputs and outputs, suitable for multi-camera filming in the crew and simultaneous monitoring by multiple people.
Besides, also with HDMI input, RS485, GPI control interface, it meets different needs.
MULTIPLE POWER OPTIONS
The monitor provides DC 12V/2A~3A power, XLR connector, and Sony V-mount battery plate for options.
Note: The standard of the battery plate is V-mount plate, customer can choose Panasonic Anton plate as optional.
PROFESSIONAL MONITORING TOOLS ON SET - PRECISE FOCUS AND EFFICIENT MONITORING
The monitor provides a series of professional auxiliary monitoring tools, such as waveform, 3D-LUT, peak filter, histogram, vectorscope, audio meter, time code, anamorphic mode, etc.
All functions can be easily selected and operated from the menu, can also set the shortcut button or via GPI control.
Effectively improve the efficiency of on-location filming and post-production.
3D LUT, RECREATE MOVIE LOOKS - SUPPORTS UP TO 36 CUSTOM LUTS
3D-LUT is a table for quickly searching and generating color-specific data.
By loading different 3D-LUT tables, it can quickly rematch the color tone to form different color styles.
4 built-in DE-log LUT, you can also load the custom .cube file via USB flash disk (up to load 36).
HDR MONITORING - WHAT YOU SEE IS WHAT YOU GET
Supports HDR (high dynamic range) monitoring, for incredible clarity and detail, effectively improving overall image quality.
When HDR is enabled, you can select Gamma and Gamut corresponding to Sony, Canon, Panasonic, Fujifilm, Bolex, RED, ARRI company.
ACCURATE WAVEFORM MONITORING - SAVE YOUR BUDGET
Built-in waveform monitoring, you can choose from waveform (RGB Parade, YUV Parade, Y Parade), vectorscope, histogram, audio phases, and level displays, and get accurate waveform monitoring that shows you everything you need to know technically about your video and audio signals.
The functions can be opened separately and also support one key to open all scope modes (can be right/left adjustment).
The ATEM173S-CO becomes the ideal choice for live production monitoring, so you no longer have to use separate expensive oscilloscopes!
GYNAMIC UMD - TSL3.1/4.0 PROTOCOL
ATEM173S-CO supports UMD of TSL protocol 3.1/4.0, with TSL address selection from 0-126 and display of a maximum of 16 letters.
UMD inputs via RS485 port and outputs via RS485 port.
TALLY LIGHTS
The GPI controls the Red Tally and Green Tally, which not only remind the photographer to enter the recording state, but also appreciate the convenience of near-professional TV recording technology in their creation.
MULTI-DISPLAY MODE - MEET DIFFERENT MONITORING NEEDS
The screen can be configured for full-screen, picture-in-picture, and quad to meet different monitoring needs.
In picture-in-picture mode, the size and position of the subwindow can be adjusted.
In quad screen mode, the SDI signal supports the simultaneous display of 4-channel audio meter and 4-channel timecode.
16-CHANNEL AUDIO LEVEL METERS
The monitor can de-embed audio from SDI and HDMI.
Support selecting any 2-channel audio for output via 3.5mm headphone.
With SDI audio, it supports display of built-in audio meters of maximum 16 channels.
In HDMI audio, only 2-channel audio displays are supported.
CUSTOM MENU CONFIGURATION
ATEM173S-CO provides 4-group custom menu setting, which will be automatically saved after setup, and there is no need to reset when you turn it on next time, saving you time.
PORTABLE LENS HOOD
New extended screen top, to acquire the ideal visual effect in almost any environment.
MULTI-ENVIRONMENT APPLICATION
No matter the environment of cold snow or hot desert and so on, ATEM173S-CO can handle easily.
TEAM CODE
The monitor supports time code display under SDI signal and synchronization with the camera.
Through the timecode, you can find a specific frame in the video quickly and accurately.
It is particularly convenient to identify specific frame rates in filming, television post-production, and video production.
BRIGHTNESS HISTOGRAM
The Brightness Histogram is a quantitative tool for checking the brightness of the image.
The feature shows the brightness distribution in an image as brightness graph along the horizontal axis (Left: Dark, Right: Bright) and a stack of the number of pixels at each brightness level along the vertical axis.
FOCUS ASSIST PEAKING
The peak filter is used to help the camera operator get the sharpest image possible. When enabled, the internal processor will display a colored highlight on the screen where sharp edges appear. You can switch the color of the putline between red, green, and blue according to the different tone of the subject.
FALSE COLORS
The false color filter is used to help with the camera's exposure setting.
As the camera's iris is adjusted, image elements change color based on luminance or brightness values.
This allows proper exposure to be achieved without the use of expensive and complicated external testing equipment.
EXHIBITION (ZEBRAS)
Exposure is used to help adjust exposure in Zebra Pattern mode.
It is considered overexposed and displays the warning lines moving in the overexposed areas.
1-100IRE adjustable.
CHECK FIELD
Check Field is a wizard function for adjusting the camera's color settings.
In scan field mode, you can use red, green, blue, or mono pixels to generate the image, because hue and saturation can be adjusted more quickly and accurately in this environment.
ZOOM IN (4X, 9X, 16X)
The image zoom is to enlarge the image to 4X, 9X, and even 16X in high-quality close-up.
ANAMOMORPHIC MODE (1.3X, 2.0X, 2.0X MAG, USER-DEFINED ADJUSTMENT: 1.20X~2.00X)
The built-in selection of uncompressed, 1.3 × or 2.0 × allows you to use anamorphic lenses or adapters and see the image without compression, even if your camera is not pressed.
In 2.0 × mag mode, it zooms in on the center of your image so you can check the focus of your image at scale.
PIXEL TO PIXEL
Enable the filmmaker to check the image from the 1:1 signal source without resizing. This feature is essential for capturing optimal details.
CENTER MARKER AND SAFETY MARKER
Safety marker for preview and composition (70%, 80%, 90%, 16:9, 16:10, 4:3, 5:4, 1.85:1, 2.35:1, user).
You can switch the brand color between yellow, cyan, purple, red, green, blue, white, and black according to the different tone of the subject.
Box Contents:
1x Monitor
1x Power Adapter
1x V-Mount Battery Plate
1x Mini-HDMI Cable
1x SDI Cable
1x Lens hood
1x Rigid Carrying Case