DZO FILM Kit Arles Prime 14mm, 21mm, 25mm, 35mm, 40mm, 50mm, 75mm, 100mm, 135mm, 180mm PL-Mount
ACCELERATING TOWARDS CINEMATIC VISUAL BRILLIANCE
14 | 21 | 25 | 35 | 40 | 50 | 75 | 100 | 135 | 180 mm T1.4-T2.4 | VV/FF
The Arles Prime lens series is named after the picturesque town of Arles in the south of France, a precious source of inspiration for artist Vincent van Gogh.
Famous for its abundant sunlight and vibrant colors throughout the seasons, Arles boosted van Gogh's move away from conventional artistic styles.
DZOFILM's Arles Prime series, with its fast T1.4 apertures, captures the dynamic interplay of light and shadow, opening up new possibilities for artistic expression and cinematic creativity.
UNPARALLELED SPATIAL VISUAL IMPACT
This High Speed Prime Cine Lens - Arles Series - covers Vista Vision sensors with a 46.5mm image circle, providing greater light transmission for greater depth and dimension in your visuals. This results in wider and more immersive images, with rich detail.
The T1.4 aperture and unique field curvature design offer exceptional focus control, creating a three-dimensional visual experience with smooth transitions between in-focus and out-of-focus areas.
HIGH-SPEED PRIME FOR MAXIMUM VISUAL QUALITY
With its T1.4 ultra-wide aperture, the Arles Prime offers ample light intake, excelling in low-light conditions and complex shooting, as it captures images quickly in low-light conditions, reducing exposure time and increasing shutter speed.
This high-speed lens for shooting creates an incredibly low depth of field, accurately highlighting every narrative detail, especially in low-light conditions.
With maximum aperture, the lens ensures uniform brightness transitions and sharp rendering of complex light and shadow details.
This fast lens supports high frame rate recordings without compromising image quality, producing smooth and exquisite cinematic images as filmmakers demand.
PRECISION CRAFTED FOR PRISTINE CLARITY
Utilizing advanced multi-layer nano-coating technology, the Arles series features a specially calibrated blue coating that ensures precise reflection control with minimal stray light and ghosting, as well as exceptional color accuracy across the spectrum.
For filmmakers, this means complete control over flares when shooting on light sources, while maintaining rich and realistic color rendering even in challenging lighting conditions. The specially calibrated blue coating ensures natural color reproduction, providing a modern and distinctive look that enhances the immersive quality of images.
This entire series of T1.4 cinema lenses incorporates a protective coating on the front element of the lens to resist dust and dirt buildup, ensuring high light transmission and consistent optical clarity.
The internal structure of the lens uses sandblasting and anodizing techniques to create a micro-level anti-reflective coating with ultra-low reflectivity, reducing fuzzy reflections.
Even when shooting directly against the light, the lenses provide sharp and clean images.
Throughout the focal range, these high-speed lenses maintain consistent color temperatures of around 5000K, faithfully reproducing vivid, true-to-life colors and presenting a natural, neutral visual style for video production.
CINEMATIC DEPTH WITH PICTORIAL RENDERING
The Arles Prime features 16 aperture blades, providing enchanting circular bokeh and ensuring smooth transitions between in-focus and out-of-focus areas.
At maximum aperture, it presents a smooth, low-contrast look, while a light spiral bokeh at the periphery adds a distinctive feature to the image, enhancing the emotional depth of each frame.
Built-in floating lens elements substantially minimize aberrations during focus transitions from infinity to close-up, improving optical performance.
Its minimal breathing immerses the viewer in each frame, amplifying the emotional impact of the scenes.
EXQUISITE OPTICS SUPERLATIVE PERFORMANCE
Arles Primes achieve remarkable image quality through rigorous optical design, ensuring consistent high resolution and meeting the demands of cutting-edge cinematography.
The 14mm, 21mm and 25mm lenses incorporate two aspherical elements (including a 50mm large-diameter aspherical element), effectively controlling distortion and maintaining edge-to-edge sharpness, even when shooting at T1.4 maximum aperture.
With precision micrometer-level manufacturing, these lenses maintain a lightweight and compact form factor, effectively correcting spherical aberration and coma, reducing bokeh in onion rings, and minimizing wide-angle distortion and astigmatism.
The entire series uses low-dispersion optical materials to precisely suppress chromatic aberration, resulting in exceptional optical performance.
COMPREHENSIVE FOCAL RANGE FOR DIVERSE CREATION
With a comprehensive set of 10 lenses covering ultra-wide-angle, standard, and telephoto focal lengths, the Arles series of fast aperture cinema prime lenses caters to a wide range of shooting scenarios while maintaining a consistent visual aesthetic.
Compatible with larger-format sensors, it provides coverage for medium-format cameras such as the Fujifilm GFX 50S (43.8 × 32.9mm format) with focal lengths ranging from 25mm to 50mm, as well as large-format cameras such as the ALEXA 65 (54.12 × 25.59mm) with focal lengths from 75mm to 180mm, satisfying the diverse needs from independent film production to large-scale film production.
ROBUST MECHANICS, SMOOTH WORKFLOW
Arles undergoes rigorous testing to ensure structural integrity. With micrometer-level accuracy, this large-aperture prime lens ensures smooth operation of the focus and aperture rings for precise focus and accurate exposure.
The interchangeable imperial/metric dual-focus scale design facilitates quick changeover, meeting diverse needs.
COMPACT DESIGN FOR SEAMLESS INTEGRATION
Designed to work seamlessly with industry-standard cinema accessories, it includes a uniform front diameter of 95mm and a filter size of 86mm across the range.
With a standard 0.8 MOD gear pitch design and consistent positioning of the focus and aperture rings across the series, changing lenses and accessories requires no readjustments, significantly increasing efficiency on set.
With the exception of the 135mm and 180mm lenses, all lenses maintain the same body length, further simplifying gear changes.
The lightweight and compact design (weighing between 1.4 and 1.9 kg) allows for easy integration with gimbals, stabilizers, drones, and Steadicams, such as DJI Ronin 2, Freefly Movi Pro, and ARRI Trinity.
With its diverse compatibility, it offers limitless shooting possibilities, including portable, in-vehicle, shoulder, and aerial shooting.
FLEXIBLE AND INCLUSIVE FOR LIMITLESS INNOVATION
The 1.5cm short back design allows Arles lenses to flexibly adapt to PL, EF, and LPL mounts such as ARRI Alexa Mini LF, RED V-Raptor, Canon C400, and Sony VENICE 2.
Its compatibility with KOOP magnetic back filters and various optical adapters opens up a wide range of creative possibilities.
Box Contents:
1x DZO FILM Arles Prime 14mm T1.4 PL-Mount
1x DZO FILM Arles Prime 21mm T1.4 PL-Mount
1x DZO FILM Arles Prime 25mm T1.4 PL-Mount
1x DZO FILM Arles Prime 35mm T1.4 PL-Mount
1x DZO FILM Arles Prime 40mm T1.4 PL-Mount
1x DZO FILM Arles Prime 50mm T1.4 PL-Mount
1x DZO FILM Arles Prime 75mm T1.4 PL-Mount
1x DZO FILM Arles Prime 100mm T1.4 PL-Mount
1x DZO FILM Arles Prime 135mm T1.8 PL-Mount
1x DZO FILM Arles Prime 180mm T2.4 PL-Mount
10x Front Cover
10x Back Cover
2x Carrying Case
